DPA  4099 Instrument Microphone Touring Kit
DPA  4099 Instrument Microphone Touring Kit
DPA  4099 Instrument Microphone Touring Kit
DPA  4099 Instrument Microphone Touring Kit

DPA 4099 Instrument Microphone Touring Kit

Application: Rock | Extreme SPL
Number of microphones: 4 Mics and accessories
Packaging Options: Without Peli™ Case
Price
$2,112
Taxes and shipping calculated at checkout
Application: Rock | Extreme SPL / Number of microphones: 4 Mics and accessories / Packaging Options: Without Peli™ Case

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Frequently Bought Together

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The true voice of your instrument
         

 
  • CORE by DPA technology inside
  • Supercardioid condenser microphone
  •  Handles high SPLs
  • Superior gain-before-feedback
  • Flexible and easy mounting
  • Gentle and easy to mount on the instrument
  • Detachable cable and a versatile gooseneck extender

Now with CORE by DPA technology
The 4099 Instrument Microphoone is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors.4099 brings more clarity and details to your music, across the entire dynamic range. Anyone looking for the very highest sound quality should choose CORE by DPA – every musician, live sound engineer and anyone else who takes pride in quality audio.
CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. Learn more about CORE by DPA.
From the piano to guitar; strings to woodwinds; brass to percussion, the 4099 Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.The award-winning 4099 Series gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.
This microphone comes in two versions:
  • 4099 CORE Mic, Loud SPL – used to close-mike most types of instruments
  • 4099 CORE Mic, Extreme SPL – used to close-mike extremely loud instruments, such as drums and some brass
The 4099 CORE also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Detachable cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting. The award-winning 4099 Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. These mics come available in kits of 4- or 10 pieces with relevant accessories to make it easy to mic a group, band or orchestra.


A perfect kit for your needs

There are two different types of kits available and they can each be purchases with 4 or 10 microphones. Ready for on-the-road use for rental companies, musicians or theatres, the 4099 Classic Touring Kit offers microphones and a selection of accessories selected for typical use in an acoustic music setting. This kit features a number of 4099 CORE Instrument Microphones for Loud SPL, which are perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between.




The 4099 Rock Touring Kit offers a number of 4099 condenser microphones and a selection of accessories selected for typical use in a live rock music setting. With a max SPL, peak before clipping of 152 dB, the 4099 CORE Instrument Microphone for Extreme-SPL instruments was designed for use on drums, percussion instruments and other loud instruments, like the trumpet and saxophone.
 

“I've been using 4099 Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear."

 

About 4099 CORE Instrument Microphones

Both the Loud- and Extreme-SPL versions of the 4099 CORE have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.




The 4099 CORE also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.



The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

Specifications

4099 for Loud SPL

4099 for Extreme SPL

Directional pattern
Supercardioid
Principle of operation
Pressure gradient
Cartridge type
Pre-polarized condenser
Frequency response
20 Hz - 20 kHz
Effective frequency range ±2 dB, at 20 cm (7.9 in)
80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz. Second order low-cut filter at 80 Hz with DAD4099-BC
Sensitivity, nominal, ±3 dB at 1 kHz
2 mV/Pa; -54 dB re. 1 V/Pa
Equivalent noise level, A-weighted
Typ. 28 dB(A) re. 20 μPa (max. 31 dB(A))
Distortion, THD < 1%
134 dB SPL RMS, 137 dB SPL peak
Dynamic range
Typ. 109 dB
Max. SPL, THD 10%
152 dB SPL peak (label color yellow)
Rated output impedance
From MicroDot: 30 - 40 Ω. From DAD4099-BC or DAD6001-BC: 100 Ω
Cable drive capability
Up to 300 m (984 ft) with DAD6001-BC/DAD4099-BC XLR Adapter
Output balance principle
Signal balanced with DAD4099-BC or DAD6001-BC XLR Adapter
Common mode rejection ratio (CMRR)
> 60 dB from 50 Hz to 15 kHz with DAD4099-BC or DAD6001-BC XLR Adapter
Power supply (for full performance)
For wireless systems: Min. 5 V - max. 10 V through DPA adapter
With DAD6001-BC or DAD4099-BC: P48 (Phantom Power). Will work from 12 V
Current consumption
Typ. 1.5 mA (microphone). 3.5 mA with DAD4099-BC or DAD6001-BC XLR Adapter
Connector
MicroDot
Color
Black
Weight
Microphone: 17 g (0.60 oz)
Instrument Microphone Clamp Mount (CM4099): 16 g (0.56 oz)
Instrument Microphone Clip for Accordion (AC4099): 5 g (0.18 oz)
Instrument Microphone Clip for Bass (BC4099): 20 g (0.71 oz)
Instrument Microphone Clip for
Microphone diameter
5.7 mm (0.22 in)
Microphone length
45 mm (1.8 in)
Cable length
1.8 m (5.9 ft)
Cable diameter
1.6 mm (0.06 in) / 2.2 mm (0.09 in)
Polarity
+V at MicroDot pin for positive sound pressure (and pin 2 on DAD4099-BC or DAD6001-BC XLR adapter)
Temperature range
-40°C to 45°C (-40°F to 113°F)
Relative humidity (RH)
Up to 90%
Gooseneck length
140 mm (5.5 in)

4099 - Extreme SPL Frequency response

4099-DL-dvote-4099-Stereo-Mic-frequency-response.jpg

Typical on and off-axis response of a 4099 measured at 20 cm (7.9 in)
Polar pattern
4099-DL-dvote-4099-Stereo-Mic-polar-pattern.jpg

Typical directional characteristics of a 4099
 

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