DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone
DPA  4099 Instrument Microphone

DPA 4099 Instrument Microphone

Style: Loud SPL
Configuration: Mic only
Price
$407
Taxes and shipping calculated at checkout
Style: Loud SPL / Configuration: Mic only

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The true voice of your instrument
         
  • CORE by DPA technology inside
  • Supercardioid instrument condenser microphone
  • Handles high SPLs
  • Superior gain-before-feedback
  • Flexible and easy mounting
  • Gentle and easy to mount on the instrument
  • Detachable cable and a versatile gooseneck extender


Now with CORE by DPA technology
The 4099 is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors.  4099 CORE brings more clarity and details to your music, across the entire dynamic range. Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio.
CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. Learn more about CORE by DPA.
From the piano to guitar; strings to woodwinds; brass to percussion, the 4099 Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.The award-winning 4099 Series gives you a much more natural sound than any clip-on microphone or pickup. This instrument condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.
This microphone comes in two versions:
  • 4099 CORE Mic, Loud SPL (red marking on gooseneck) – used to close-mike most types of instruments
  • 4099 CORE Mic, Extreme SPL (yellow marking on gooseneck) – used to close-mike extremely loud instruments, such as drums and some brass
The 4099 CORE also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Detachable cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.
 

IP58 certified
All CORE by DPA technology microphones, including the 4099 CORE, are IP58 certified. This durability is achieved through a number of defense mechanisms:
 
•    Water-repellant nano-coating of the cover and housing
•    Hermetic sealing of the sensitive amplifier at the core of the mic
•    Dual gold plating of the diaphragm




The CORE 4099 comes with an XLR connector as an adapter. The microphone can easily be connected to a wireless system via an adapter from our extensive range of wireless adapters.

The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

You can buy a single 4099, with or without a specific instrument clip, or you can choose a kit designed specifically for rock or classical applications. These kits come in 4-piece and 10-piece sets combined with the appropriate adapters, clips and cables that make it a breeze to set up your stage.

The mics in this series come in two versions. The 4099, Loud SPL is perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between. With a max SPL, peak before clipping of 152 dB, the 4099, Extreme SPL was designed for use on drums, percussion instruments and other very loud instruments like, for example, the trumpet. Both versions of this mic have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The 4099 also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.
 

I've been using 4099 Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear.


Let your instrument choose the mic

The 4099 CORE was designed to get the best performance out of your instrument, so make sure you choose the correct version. We have created clips and mounts to fit a wide range of popular instruments. Even if your instrument is not listed below, there is probably a solution that will meet your needs.

Please note that for each type of instrument we have pre-selected the following parts for you:
  • Type of mount
  • Type of microphone, i.e. Loud or Extreme SPL
  • Type of microphone cable; Ø1.6 mm (0.06 in) or Ø2.2 mm (0.09 in)
  • Type of XLR adapter, i.e. either DAD4099 (with build in low cut) or DAD6001 (without low cut)

With each package, you are instantly ready to play your instrument with the microphone attached.


Optional gooseneck extension

The standard gooseneck length is 140 mm (5.5 in). The optional gooseneck extension unit is also available. This adds approx. 50% extra length, which helps reach the sweet spot for some instruments.


Detachable cables

The 4099 CORE Instrument Microphone series features cables that are detachable from the gooseneck. This makes it more convenient to mount the mic on an instrument before connecting it. You can also choose between different cable qualities, making it possible to tailor your mic to a specific task. The heavy duty 2.2 mm (0.09 in) cable is ideal for PA and live gigs. The thinner 1.6 mm (0.06 in) miniature cable is more appropriate for personal mounting on instruments. Both types of cables are strong and durable with an inner core of Kevlar.


Change the mount, not the mic


The 4099 Instrument Microphone is very adaptable, due to the wide selection of ingenious mounting options offered. Guitar, brass, flute, piano; it is no problem to mount the mic on any instrument. So finding a consistent sound for your mix has never been easier. The d:vote™ CORE 4099 Instrument Microphone comes with a wide variety of clips for use with specific instruments. Bass, brass, drum, violin and more!


A bit about supercardioids

A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity – making them even more focused than a “normal” cardioid mic. This off-axis sound will be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.

Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. In addition, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.
 

Adapter system gives you flexibility

The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.

DPA miniature microphones work with all leading wireless mic solutions, such as, Sennheiser, Shure, Sony, Wisycom, Lectrosonics , Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.


Violin, viola, banjo and mandolin

The 4099 CORE for  Loud SPL is perfect for the violin, banjo and viola. Users will appreciate how gently this instrument condenser mic adheres to their prized instrument.



It is elegant, lightweight, unobtrusive and designed to stay out of the way during a passionate performance. The mounting mechanism makes it easy to move the mic between instruments with one hand.

Choose a 4099 CORE Instrument Microphone for Violin (4099-DC-1-199-V) for your violin, banjo or viola.


Drum

The 4099 CORE for Extreme SPL perfectly captures the booming sounds of drums and percussion instruments. Users will appreciate how gently this instrument condenser microphone adheres to their prized instrument. The mic can be easily positioned to fit different types of drums. The flexible gooseneck can be positioned at different angles to allow a variety of sound nuances. The mic is elegant, lightweight, unobtrusive and designed to stay out of the way during performances.




The mounting mechanism makes it easy to move the mic between instruments. The 4099 CORE Instrument Microphone for Drum includes a revolutionary ‘90° system which provides a wide range of mounting options.

By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled. This mic can easily be combined with a wide variety of accessories. For the bass drum, the d:vote™ VC4099 Clip fits perfect on the rim.

Choose a 4099 CORE Instrument Microphone for Drums (4099-DC-2-201-D) for your drum kit and add a VC4099 clip for your bass drum.


Piano

This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics.



It is a complete system, which includes a pair 4099 CORE mics for Loud SPL selected on sensitivity within ±1.5 dB. It includes two versatile magnet mounts/gooseneck systems that provide stable and repeatable positioning.
 

“The piano is the lead instrument and it’s what everyone follows. If they lose the piano or it doesn’t sound clear to them, it makes their job very difficult. The 4099 Instrument Microphones have enabled me to achieve a better quality and a more natural sound, which is my ultimate goal.”


Choose a 4099 CORE Stereo Microphone System for Piano (4099-DC-1-101-P).



Guitar, ukulele and dobro

The 4099 CORE for Loud SPL is perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro. It offers practically unlimited placement possibilities. The sound it provides is considerably more natural than an internal microphone or pick-up.



The mic fits instruments with a body depth between 35 mm (1.4 in) and 122 mm (4.8 in). Users will appreciate how gently this condenser mic adheres to their prized instrument. It is elegant, lightweight, unobtrusive and designed to stay out of the way during a performance. The mounting mechanism makes it easy to move the mic between instruments with just one hand.

Choose 4099 CORE Instrument Microphone for Guitar (4099-DC-1-199-G) for your guitar, mandolin, ukulele or dobro.


Saxophone

The 4099 CORE for Loud SPL is perfect for the entire saxophone family: soprano, alto, tenor or baritone. It also sounds great on the bass clarinet. It comes with a very versatile clip that can be used on all types of sax and brass instruments.



Users will appreciate how gently this condenser mic adheres to their prized instrument. It is elegant, lightweight, unobtrusive and designed to stay out of the way during performances. The mounting mechanism makes it easy to move the mic between instruments with just one hand.

Choose a 4099 CORE Instrument Microphone for Saxophone (4099-DC-1-199-S) for your soprano, alto, tenor or baritone saxophone or your bass clarinet.


Trumpet, trombone and other brass

The 4099 CORE for Extreme SPL is perfect for trumpet, trombone and other brass instruments that can make a lot of sound. You can use it with or without mute. The microphone effortlessly handles even the highest sound pressure levels.




An innovative mounting mechanism makes it easy to move the microphone between instruments with just one hand. The microphone and its mounting system are both designed and optimized for the brass family. This ensures that the best mounting and audio reinforcement is achieved when performing live.

Choose a 4099 CORE Instrument Microphone for Brass (4099-DC-2-199-T) for your trumpet, trombone and brass in general.


Bass

The 4099 CORE for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. There are several excellent placement possibilities on the instrument.



The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic clip attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard.

Choose a 4099 CORE Instrument Microphone for Bass (4099-DC-1-201-B).


Cello

For perfect PA amplification and live recording of a cello choose the 4099 CORE for Loud SPL, which includes a mounting clip meticulously designed and optimized for the violoncello. It offers a sound that is considerably more natural than an internal microphone or pickup.



The clip attaches to the C and A string below the bridge. This places the microphone capsule in the sweet spot between the bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage.

Choose a 4099 CORE Instrument Microphone for Cello (4099-DC-1-201-C).


Accordion

This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics. It is a complete system, which includes a pair of 4099 CORE for Loud SPL selected on sensitivity within ±1.5 dB. The two included mic clips can be attached permanently to the instrument using screws.



Choose a 4099 CORE Stereo Microphone System for Accordion (4099-DC-1-101-A).


Oboe, clarinet, bassoon, recorder and flute

This 4099 CORE for Loud SPL solution is designed to address the unique mounting challenges of slim bodied and unusually shaped instruments. The design of the microphone clip includes a hook-and-loop fastener strap, which allows it to fit instruments of varying sizes and diameters such as the oboe, clarinet, bassoon, recorder and flute.



The fastener strap pulls tight to fit the circumference of the instrument, like a wristwatch on your arm. On instruments of a large diameter, additional fastener straps can easily be added to extend the clip’s reach. It is lightweight, unobtrusive and designed to stay out of the way during performances, using a revolutionary 90°-system which provides a wide range of mounting options. By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled.

Choose a 4099 CORE Universal Instrument Microphone (4099-DC-1-101-U) for your oboe, clarinet, bassoon, recorder and flute.


Clamp Mount

The 4099 CORE for Loud SPL with a mount designed to be flexible, easy to use and quick to move. With a strong spring, the mount can be clamped onto many surfaces and instruments such as saxophones and brass instruments.



Choose a 4099 CORE Instrument Microphone with Clamp Mount (4099-DC-1-101-CM).


Stand Mount
Even though the 4099 CORE is often used attached directly to a specific instrument, many users have asked for a solution to mount the mic on a regular microphone stand. Now you can get the unparalleled sound of the  4099 CORE for Loud SPL easily mounted on a mic stand.


This mount has both 3/8" and 5/8" threads thanks to the supplied insert. The construction of the holder allows for quick and easy insertion and removal of the microphone. In addition, the holder can be rotated so that the microphone is oriented vertically or horizontally.

Choose a 4099 CORE Instrument Microphone with Stand Mount (4099-DC-1-101-MS)




Specifications

4099 for Loud SPL

4099 for Extreme SPL

Directional pattern
Supercardioid
Principle of operation
Pressure gradient
Cartridge type
Pre-polarized condenser
Frequency response
20 Hz - 20 kHz
Effective frequency range ±2 dB, at 20 cm (7.9 in)
80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz. Second order low-cut filter at 80 Hz with DAD4099-BC
Sensitivity, nominal, ±3 dB at 1 kHz
2 mV/Pa; -54 dB re. 1 V/Pa
Equivalent noise level, A-weighted
Typ. 28 dB(A) re. 20 μPa (max. 31 dB(A))
Distortion, THD < 1%
134 dB SPL RMS, 137 dB SPL peak
Dynamic range
Typ. 109 dB
Max. SPL, THD 10%
152 dB SPL peak (label color yellow)
Rated output impedance
From MicroDot: 30 - 40 Ω. From DAD4099-BC or DAD6001-BC: 100 Ω
Cable drive capability
Up to 300 m (984 ft) with DAD6001-BC/DAD4099-BC XLR Adapter
Output balance principle
Signal balanced with DAD4099-BC or DAD6001-BC XLR Adapter
Common mode rejection ratio (CMRR)
> 60 dB from 50 Hz to 15 kHz with DAD4099-BC or DAD6001-BC XLR Adapter
Power supply (for full performance)
For wireless systems: Min. 5 V - max. 10 V through DPA adapter
With DAD6001-BC or DAD4099-BC: P48 (Phantom Power). Will work from 12 V
Current consumption
Typ. 1.5 mA (microphone). 3.5 mA with DAD4099-BC or DAD6001-BC XLR Adapter
Connector
MicroDot
Color
Black
Weight
Microphone: 17 g (0.60 oz)
Instrument Microphone Clamp Mount (CM4099): 16 g (0.56 oz)
Instrument Microphone Clip for Accordion (AC4099): 5 g (0.18 oz)
Instrument Microphone Clip for Bass (BC4099): 20 g (0.71 oz)
Instrument Microphone Clip for
Microphone diameter
5.7 mm (0.22 in)
Microphone length
45 mm (1.8 in)
Cable length
1.8 m (5.9 ft)
Cable diameter
1.6 mm (0.06 in) / 2.2 mm (0.09 in)
Polarity
+V at MicroDot pin for positive sound pressure (and pin 2 on DAD4099-BC or DAD6001-BC XLR adapter)
Temperature range
-40°C to 45°C (-40°F to 113°F)
Relative humidity (RH)
Up to 90%
Gooseneck length
140 mm (5.5 in)

4099 - Extreme SPL Frequency response

4099-DL-dvote-4099-Stereo-Mic-frequency-response.jpg

Typical on and off-axis response of a 4099 measured at 20 cm (7.9 in)
Polar pattern
4099-DL-dvote-4099-Stereo-Mic-polar-pattern.jpg

Typical directional characteristics of a 4099
 

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